Local Focus w/ Floral Peroxide’s, Alison Paradoxx [INTERVIEW]

Local Focus w/ Floral Peroxide’s, Alison Paradoxx [INTERVIEW]

The Adelaide Fringe season is well and truly here, bombarding us with a wide selection of shows including performances of comedy and cabaret.

However, for you poetryfiends out there, I’ve got you covered as I sat down with Floral Peroxide’s, Alison Paradoxx, to discuss her fringe show centred around performance poetry.

She talks about what inspired her to create this show, the challenges of living with deformity and the cathartic nature of performance poetry.

You can listen to a snapshot of Alison’s interview below.

[ME] How did you first discover poetry and when did you begin writing?

[ALISON PARADOXX] Well, my whole life I’ve always been a writer/reader. As a child, obviously with all the hospitalisation and surgeries, I spent a lot of time on my own. Fortunately for me, I was one of those kids that loved reading and creating stories in my head. So it didn’t bother me that much. And I always wanted to write but you go through life with various things happening to you and you just end up going through various jobs and finding yourself in jobs that you never envisioned as a career.

Eventually, in 2014, I was offered a job with BeyondBlue, and for some reason it didn’t feel right and I couldn’t work out why. I went up to my parents for dinner one night and we were talking about this opportunity and I just burst into tears which is unlike me. And my dad asked, “what’s wrong Al?” and I said, “I don’t think I want to do this job,” and he asked, “well what do you want to do?” and I said, “I just want to write.” And he said “you know what, you’ve always wanted to be a writer, it’s what you feel and you should just do it.” Up until that point I felt that I was letting my parents down and this job was to show them that I could be somebody but then I realised that they didn’t really care about any of that, all they wanted was for me to be happy.

So I started studying at the Adelaide College of the Arts, I was doing a Professional Writing Advanced Diploma, but half way through my second year we got to choose electives and I always thought I would be a dark humour writer and one of the electives was poetry and I thought I don’t know anything about poetry, I don’t understand it, I have no idea what makes a good poem, what makes a bad poem. I never studied any poetry at school, so I thought I want to challenge myself, I want to do this, I’m probably going to completely bomb out, but that’s okay, I just want to learn what this poetry thing is about.

It so happened to be the thing I could do which was really surprising for me. My lecturer at the time prompted me to go to some Open Mics, so I started doing that and I did a couple and the Australian Poetry Slam was coming around, so I thought I’m going to enter a heat just to get the experience, so I entered my heat and I won my heat and I honestly could not believe it, I think I was bawling my eyes out. So I went to the final and won the final and two weeks later I was standing on the stage at the Sydney Opera House just completely beside myself, like how the hell did I get here?!

It was what launched me to go, this is my thing now.

[ME] So who are some artists/poets that have inspired you?

[ALISON PARADOXX] Definitely, David Bowie, hence the [lightning bolt] tattoo on my neck. Huge fan of David Bowie, I consider him a poet, I consider him an all-round artist in every sense. 

And of course, Leonard Cohen, an all-round poet and musician.

Poetry wise, Sylvia Plath, a huge fan of Sylvia Plath obviously because of the familiar territory she crosses in her work and the power she conveys.

Also, with the multimedia approach that I’m taking with my performance art now, people like Laurie Anderson and Alison XYZ and spoken word artists that incorporate electronic music and other elements into their performance work.

[ME] What advice would you give to upcoming artists/poets especially those that are considered ‘disabled’ or ‘broken’ in traditional society?

[ALISON PARADOXX] I would encourage anyone who feels that they have something they want to say, to say it! I would also encourage people in general if they want to get their words out there to go and experience as many types of poetry and spoken word as they can. Writing as much as you can, taking workshops and studying because you can be the greatest performer on a mic but if you don’t know how to write those words it’s always going to come across as a half-performed act. So, there’s always value in learning the boring skills behind poetry.

[ME] Is there anything else you would like to add?

[ALISON PARADOXX] If you are a disabled artist, Access 2 Arts, are just phenomenal, the workshops I’ve done with them and the way that they have supported my work has been incredible. I have learnt so much from them and I think in making this show, I wanted to make a show that was accessible to the deaf and hearing-impaired community because why would you go see spoken word if you couldn’t hear anything, there’s no point. There’s a whole sector of the community being cut out here, so I wanted to do a show that had either AUSLAN or video captions. We had video captions in the end. 

And as always, if you liked this post or have any feedback for me, I’d love to hear from you.

In Conversation With: Alison Paradoxx

In Conversation With: Alison Paradoxx

Really enjoyed reading this interview, keen for the show tomorrow!

Tulpa Magazine

Floral Peroxide is a personal account of my own journey through the medical system, and navigating society as a whole, in a chronically unwell body,’ says 2016 Poetry Slam Championship Alison Bennett, explaining her debut Fringe 2019 performance: Alison Paradoxx presents Floral Peroxide.

Floral Peroxide explores disability using performance poetry, sound art, and dance to tell her story. ‘As a disabled and chronically ill artist,’ says Bennett, ‘I explore the paradoxes of disability, and the societal desire to ‘fix’ the broken self. My work articulates injury, and trauma through metaphor, sound, and visual theatre.’

Floral Peroxide is based primarily on Bennett’s final diagnosis: Hypermobile Ehlers Danlos Syndrome (hEDS), which she’s had since birth but wasn’t diagnosed until she was 40.

‘It was my chance to reclaim my identity and construct my own narrative of how I see myself in the world around me. I was sick of other…

View original post 401 more words

Mariah Carey’s New Album”Caution” is All You Want this Christmas!

Mariah Carey’s New Album”Caution” is All You Want this Christmas!

If you’re a fan of MC’s previous albums such as Butterfly, The Emancipation of Mimi and Me I am Mariah. The Elusive Chanteuse, then it’s highly likely that you’ll love Caution too!

In terms of production value, lyrics and the number of tracks, I feel Caution does really pack the whole punch! Personally, I found it highly nostalgic, sweet and somewhat light hearted (which I think is what we need, especially during this time of year).

And seriously I couldn’t get enough of the instrumentals.

(And I know I usually don’t do reviews on singers, but I just had to for this one).

Anyways, as always, I will give a brief analysis of each song and highlight my favourite lyrics too!

So let’s get to it!

Personal Favourites: The Distance (feat. Ty Dolla $ign), Caution, Giving Me Life (feat. Slick Rick and Blood Orange) and Portrait

1. GTFO

One of the first promotional tracks off of Caution, “GTFO”, co-produced by Nineteen85 who has also produced Drake’s “Hold On Where Going Home” and “Too Much”, is just one of those tracks that you blast with your girls/guys on a night out to forget about your significant other!

Lyrics are pretty self-explanatory, however I do admire the first verse where she is able to seamlessly rhyme “Caymus bottle” which is a brand of Californian wine with “martyr.”


Might as well down this Caymus bottle
I ain’t the type to play the martyr

2. With You

Another promotional track, With You, produced by DJ Mustard, is highly reminiscent and nostalgic. I particularly admire how she rhymes “trepidation” and “nation” in the first verse.

So they both held tight to face it
There were vows, she was bound to take ’em
She was full of such trepidation
There in front of the whole damn nation

Carey also references how her partner had been loving her since her collaboration with Bone Thugs-N-Harmony on “Breakdown” off her 1997 album Butterfly. Another one of my favourite tracks and a must listen if you haven’t heard this song already.

He said, “Yo, I’ve been lovin’ you so long
Ever since that Bone Thugs song
You ain’t gotta break down, you’re too strong”

3. Caution

Co-produced by No ID, “Caution” is smooth, mellow and calming with an addictive backing electric guitar riff.

As the title suggests, this track inspired the name of this album and according to Mariah Carey’s Twitter, this song was the last one she wrote for the album.

4. A No No

Sampling Lil Kim’s “Crush on You (remix)”, “A No No” is a funky, slightly humorous and upbeat track co-produced by Shea Taylor, who has also produced Frank Ocean’s “Thinkin Bout You” and Beyonce’s “Countdown.”

My favourite lyrics from this track has to be Mariah’s outro where she is saying no to becoming reacquainted with her supposed ex-partner in different languages including Portuguese “não” and Japanese “iie.”

Parlez-vous français? I said no
Lemme translate it, I said no
I can say it in Español
No
(No no no no)
Portuguese for you não
Japanese for you (iie)

5. The Distance (feat. Ty Dolla $ign)

Who knew Ty Dolla $ign and Mariah would make such a good combo?!!

Another calming and invigorating track co-produced by Skrillex, Poo Bear and Lido where Mariah reminds us of the power of love.

My favourite lyrics have to be from the second verse where she sort of sings quite fast, mimicking a rapping style.

There was no good, having hands out
Trying to diminish me
Boy we stayed up, camping out crowds
In spite of them difficulties
But they can’t, but they can’t, but they can’t
Take away them precious memories (Yeah)
And I won’t, and I won’t, and I won’t
Let ’em come between you and me

6. Giving Me Life (feat. Slick Rick and Blood Orange)

“Giving me Life” is the longest track off the album but this roughly 6-minute song is one of the highlights (in my opinion). Chilled and leisurely, Mariah reminisces on the simplicities of teenage love when she was “seventeen.”

My favourite lyrics are from the first verse where Mariah emphasises the simple yet ultimate indulgence of being able to talk with her partner and fix their “minds on another tangent.”

If you’re so inclined, let’s take a ride tonight
So, then maybe if the stars align
We’ll fix our minds on another tangent
And it’s kinda like impossible to top this at all

7. One Mo’ Gen

Pretty self- explanatory. Fun fact “One Mo’ Gen” is short for One More Again.

8. 8th Grade

An upbeat, pop slow jam co-produced by Timbaland.  Mariah reflects on her romantic feelings as an adolescent.

I personally love how she is able to incorporate the word “ambivalent” in the second verse.

I’m a confirmation, should you feel unsure
I’m that security when you’re insecure
I’ll be that baby girl when you’re immature
Don’t be ambivalent towards me

9. Stay Long Love You (feat. Gunna)

A low key, smooth bop co-produced by The Stereotypes. This one is going to blow up soon enough!

10. Portrait

A clear message, piano and vocals, “Portrait” is definitely gonna hit you in the feels. Mariah delves into her personal life and tells us that despite being “desensitized” by everything she has endured in both her musical career and personal life, she is still that “same hopeful child.”

Somewhat desensitized
Still the same hopeful child
Haunted by those severed ties
Pushing past the parasites
Down but not demoralized

A great way to end the album in my opinion!

That’s a wrap for 2018!

As always, if you liked this post, I would love to hear from you!

Just Your Everyday Apocalypse by Amelia Walker REVIEW

Just Your Everyday Apocalypse by Amelia Walker REVIEW

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Okay, I must admit, this is probably the first contemporary Australian poetry book that I have properly read in a while. And yes I thoroughly enjoyed it and I must thank Amelia for giving me a copy. As always, I have selected 8 poems (which are in no particular order) from Just Your Everyday Apocalypse and provided my own interpretation/analysis for each of them.

1. In Translation

In Translation gd

In Translation is packed with metaphors and tells the story of hand-me-downs and thrifted clothing. Walker describes how despite numerous washes, the “fabric” is “flavoured” with “moments that are not [hers]” but of previous owners of the clothing. I really admire her use of alliteration when explaining that thrifted clothing is “a million mixed meanings” open to “minefields of misinterpretation.” It really makes you think about the previous owners of thrifted clothing, what they went through whilst wearing those clothes and the experiences they had. How rips or stains came to be? The mismatching of colours and the intricate stitch work? What era the clothing was from?

2. Beautiful

Beautiful

Short, simple and sweet. Dedicated to all the mothers out there with odd quirks and carefree attitudes. They might have a “crooked smile” and “varicose veins” but they are still “beautiful” nonetheless.

3. Walls

Walls

A poem that highlights some of the atrocities faced by female detainees, mainly focusing on the story of Cornelia Rau. Walker illustrates the horrid conditions these female detainees undergo as they are trapped in “windowless” rooms and must “sh*t” for an “audience of male guards.” She also describes the debilitating impact, life in a detention centre can have on an individual as after leaving and now “safe”, the former detainee is still unable to “let go of the teddy bear she clutched all those dark months.”  Walls ends in a startling fashion as Walker describes that even though the woman has left the detention centre, she is unable to escape the “walls” of society as they have “none.”

4. Reunion

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A direct and brutally honest overview of different life pathways our friends, family and strangers have taken. Pretty self-explanatory.

5. City, Lover, Self

City Lover Self

I believe we can all relate to City, Lover, Self regardless of whether you live in Australia or not because we all have places that are like home to us. Walker demonstrates the connection she has with Adelaide, through her use of personification, as she describes she is “intimate” with the “rhythm” of Adelaide’s “soft tissue organs” and “strange scarred body.” By using figurative language, she depicts how each instant details a specific memory of “things that have been or could have been” as “every shop glass shines with the ghost of some moment.”

6. Submerging

Submerging

A point that’s inevitable and you’ll face sooner or later unless you’re extremely lucky. Submerging, as the name suggests, describes the feeling of losing your sense of self. In Walker’s experience, it happened to her “slowly” as she was already “neck deep before [she] realised.” She uses metaphors to describe the symptoms of losing one’s self as she begins “rejecting sun and air” and finds it “hard to breathe” as “glass” is “encasing [her] head.” The line that resonates with me the most is how Walker emphasises how people “who were close” to her feel as if they’re “a million miles away” as she struggles to “follow conversations.” However, the last stanza is somewhat comforting as she is consoled by Circe, the Greek goddess of magic, who now “holds her hand” as her harsh exterior starts to melt away.

7. Astrocytoma

Astrocytoma

Poignant and beautifully written. Walker details the experience of a loved one discovering they have astrocytoma (cancer of the brain) and how despite the crippling nature of the disease they still manage to stay “composed” as “science slice [their] skull into squished butterfly segments.” Here, Walker uses alliteration to explicitly portray the life of this cancer-ridden individual. I also particularly love her use of a Stephen Hawking quote.

“If you jump into a black hole, your mass energy will be returned to our universe, but in a mangled form which contains the information about what you were like but in an unrecognisable state.” (Stephen Hawking, 2004)

I believe this quote serves as a reminder to us all that regardless of the immensity of our problems/issues, they will always be insignificant and eventually be forgotten and “unrecognisable.”

The last lines of Astrocytoma despite being quite grim are also somewhat consoling as we find out that this diseased individual is relieved of their suffering as their “six year migraine” is finally “over.”

8. Tequila

Tequila Pt 1
tequila-pt-2.jpg

I just love how cleverly put together this poem is. Walker organises it into three parts and as you guessed it, it starts off with Part One: SALT, then Part Two: TEQUILA and lastly Part Three: LEMON.

Part One: SALT describes the various uses of salt and allows us to contemplate the nature of salt as it is used to “sanctify” in Japanese Shinto culture but also deemed “unhealthy” and “indulgent” in Western culture.

The last lines lead nicely into Part Two: Tequila as salt “addiction” causes “thirst.”

I feel Part Two: Tequila describes the intoxicating and blinding effects of alcohol but also, its power to provide us with temporary ecstasy. Walker’s decision to provide a short story of the discovery of Tequila really enhances this poem.

Part Three: LEMON delves into a fond memory of Walker “picking lemons” with her grandmother as a young child. She describes through her use of personification that her closest feeling of being drunk at that age is when she swims in “scents of citrus and cinnamon.”

I particularly love the last stanza which I feel is pretty self-explanatory.

If you liked this review, I would love to hear from you.

Also, if you’re interested in purchasing Just Your Everyday Apocalypse you can do so by emailing poetryisdangerous@gmail.com , FYI it’s only $10 a copy!

Local Focus w/ the Showpony Crew [INTERVIEW]

Local Focus w/ the Showpony Crew [INTERVIEW]

A while back I was fortunate enough to interview the team behind Showpony Music and Open Mic, Heather McGinn and Lachie Blackwell (pictured below).

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So for those of you unaware of Showpony, as the name suggests it’s an open mic event where anyone can perform anything they’d like; whether that be poetry, music or stand-up comedy.

Have a listen to what Heather and Lachie have to say about Showpony below!

Also, I’d like to thank Amelia for introducing me to these lovely people and helping me with this interview!

And as always, if you liked this post or have any feedback for me, I’d love to hear from you.

5 Blogs to Check Out if You’re into Poetry!

5 Blogs to Check Out if You’re into Poetry!

1. Australian Poetry Organisation

If you live down under or just want to know more about Australian poetry, you have to check out the Australian Poetry Organisation’s website. They give you information about poet residencies, book launches, gigs happening around Australia, reviews, competitions and so much more!

 

2. Poetry Foundation

A Chicago based blog that caters to everyone. The dedicated team at Poetry Foundation have created a website thapoetry foundationt is easy to manoeuvre and provides you with poems to suit kids, teenagers and adults. Not to mention it covers a diverse range of poetry and poetry-related news. It allows you to listen to poems and provides you with a learning station to fully understand the literary techniques used in poems (because let’s face it, who remembers or even knows what anthropomorphism is, I surely don’t!).

3. Eat This Poem

Food and poetry combined. Yes please! Nicole Gulotta’s blog shares her love for poetry and cooking. With each recipe, she provides us with personal anecdotes and pairs it with a fitting poem. Her blog has also been featured in Poetry Foundation and The Guardian.

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Photograph by Alex on Unsplash

 

4. Button Poetry

button poetryAll about intriguing, contemporary, slam poetry! Yes, Button Poetry, probably one of the most well-known modern poetry organisations, has a blog. The team behind Button Poetry’s blog, provides you with reviews, writing prompts (for aspiring writers), a recap of their most watched poems, essays and even a merchandise store!

 

5. Poets United

For poets, by poets. Poets United is for those poets who have a blog and would like to share their work in an accepting environment with other like-minded writers. The blog doesn’t have a sole owner but works by poets all over the world contributing their time and expertise to run the site.

poets united

 

If you have any poetry blogs that I should check out, please let me know, I would love to hear from you!

10 Sensational Slam Poetry Performances that are Worth Your Time

10 Sensational Slam Poetry Performances that are Worth Your Time

Let me just say that deciding on just 10 poems to showcase was quite difficult because there are so many talented artists. However, this is by no means the best performances but poems that really stood out for me and are easily accessible. I selected these slam poems especially because they cover a diverse range of topics and I believe will change your opinion if you’re reluctant about poetry.

I will also provide a short analysis of each poem.

(Please note I have also excluded including earlier slam poets and I will do that in another post shortly.)

So, in no particular order, let’s begin!

1. Blythe Baird – “Pocket-Sized Feminism”

“I am ashamed of keeping my feminism in my pocket until it is convenient not to, like at poetry slams or woman studies classes. There are days I want people to like me more than I want to change the world.”

 

Baird explains the “guilt” she feels when despite being a feminist, only voices her opinion when it is a “convenience” rather than at crucial times when it is detrimental to herself and others.  For example, she mentions that she remained silent when a man “shoved his hand up [her] skirt” on an escalator because everyone around her was quiet. Baird highlights the reality of feminism through her use of irony when her father tells her “sexism is dead” but reminds her to “always carry pepper spray.” She also uses irony in her final lines to emphasise this point as daughters are told “to be careful” and “safe” whilst sons are told to “go out and play.”

2. Olivia Gatwood – “Ode to the Women on Long Island”

“And last week when a girl was murdered jogging in Queens, the women on Long Island were unstartled and furious. They did not call to warn their daughters, they called their sons, sat them at the kitchen table and said “if you ever, I mean ever so much as make a woman feel unconformable, I will take you to the deli and put your hand in the meat slicer. You think I won’t? You hear me. I will make a hero out of you with mayonnaise, tomatoes, dill and onion.”

 

Gatwood salutes the women of Long Island as the title implies and illustrates the strength these women hold. She performs this poem with ease, switching from the narrator (being herself) into different characters (being the different women of Long Island). I must say, I have never been to Long Island, but the ease with which she switches accents is so authentic. Through her use of characterisation, Gatwood explains that these women despite their tendency to “hack” and “curse” are wise and comforting as they reassure young females that there is no pressure on them to be in relationships. She also expresses that these women hold all their family members accountable for any incident, as a girl who was “murdered jogging in Queens” doesn’t provoke them to warn their daughters but instead their sons who have their “husband’s hands and blood.”

3. Nkosi Nkululeko – “Not Finished Yet”

“What’s a poem if it doesn’t dismantle or split, burn or crack. So there’s gonna be a couple of heads here, limbs, Trayvon of course will be here in metaphor form.”

 

At first I was confused by this poem as I didn’t quite understand Nkululeko’s approach. However, after watching it a couple times I finally understood it and was in awe of his approach in presenting this performance. From my understanding, Nkululeko’s inability to “start [his] poem” reflects the injustice black youth face as boys like Trayvon and Mike Brown are unable to live their lives in peace. He also uses this technique of continually starting his poem to reflect how America dismisses the issue of unjust police brutality on black people as the “printer keeps on whiting out the black” and how he as a black writer is inclined to “compose a dead thing out of his mouth.” I particularly admired the confronting simile he uses explaining that he is filled with “so many eulogies” like a “Russian doll of the dead.”

4. Jared Singer – “Just Take a Shower” 

I think this poem speaks for itself. An intense subject that is superbly said. (This poem does deal with an extremely sensitive topic, so please take necessary precaution. I would recommend watching this one in a place where you feel comfortable).

 

5. Jared Paul – “When I say that I Came Up Poor”

“When I say that I came up poor, what some folks derisively call hood, somebody else calls home.”

 

Paul uses a great deal of visual imagery to explain that despite coming up poor, the “hood” will always be his “home.” He illustrates the sense of community the neighbourhood upholds as “they don’t have any concept of what it means to be lonely.” He further emphasises this point, as neighbours are treated “as family” despite being from “three different groups of friends.”

6. Sarah Kay – “Table Games”

 

Heartbreak presented to you like sweet and salty chips. It will have you laughing and crying.

Side note: Sarah Kay was one of the first slam poets my teacher introduced to us and the first time I learnt about slam poetry.

7. Muna Abdulahi – “Explaining Depression to a Refugee”

“Depression is a white man’s privilege, we don’t have the privilege to have that much time to ourselves.”

 

Such an important message especially after the recent World Mental Health day and for families who are from a different cultural background who don’t really understand mental health. Abdulahi expresses the confusion her mother, a former Somalian refugee, displays as she is unable to fathom her daughter being diagnosed with depression. She explains the stigmatisation the Somali culture places on mental health as her “native tongue doesn’t speak of it to its existence.” The line that resonated with me the most is how Abdulahi highlights the detrimental impact her depression has on her mother as it is a “fight that she cannot protect [her] from.”

8. Franny Choi – “To the Man who Shouted ‘I like Pork-Fried Rice’ at me on the Street”

“You want to eat me, right out of these jeans and into something a little cheaper, more digestible, more bite-sized, more cooked, you want me lunch special.”

 

Choi emphasises the stereotypical nature of how Asian women are exoticized “brimming with foreign.” She describes how the man fantasizes about her as he wants to “eat [her] out” as she is “red-light district stuck in [his] teeth.” However, Choi cleverly switches up his traditional fantasy in the end by gaining her revenge as after the ordeal he is left “squirming alive” as she is “strangling [him] quiet from the inside out.” Personally, these last lines left me conflicted with shock but somewhat satisfied as the man is left debilitated, but I guess he got what he deserved.

This poem is from Choi’s debut book Floating Brilliant Gone, if you’re interested you can check out my review on her book here.

9. Rudy Francisco – “Complainers”

“When it feels like God is just a babysitter that’s always on the phone, when you get punched in the oesophagus by a fistful of life, remember that every year two million people die of dehydration so it doesn’t matter if the glass is half full or half empty, there’s water in the cup. Drink it, and stop complaining.”

 

Such a good reminder to us all. That’s all I’ll say for this one.

Side note: Okay, the fact that he was on Jimmy Fallon makes me so happy and proud.

10. Guante – “Ten Responses to the Phrase ‘Man Up’”

“Man up? Oh that’s that new superhero, right? Mild-mannered supplement salesman Mark Manstrong says the magic words “MAN UP,” and then transforms into THE FIVE O’CLOCK SHADOW, the massively-muscled, deep-voiced, leather-duster-wearing super-man who defends the world from, I don’t know, feelings.”

 

Guante deconstructs and reiterates the idea of what it means to be a ‘man.’ He explains that society expects men to be “massively muscled” and “deep voiced”, however those who do not fit these ideals are often isolated. He cleverly uses personification to describe that these men “cannot arm wrestle [their] way out of chemical depression” and the male community must acknowledge that these men are more than just “background characters” before it’s too late.

If you liked this post or have any other suggestions of poems I should check out please let me know! I would love to hear from you!